At the moment I'm having trouble with what information to leave in or take out. Perhaps there should be less in the way of white outlines so that the coloured rim lighting appears bolder in the dark spaces.
With outline
Without (much) outline
It's certainly more abstract! Perhaps I need a more established middle ground between the two.
Love the linkage of the caustics between the two worlds - and I love the strong black background and the white outline idea as in image 4, but the greater abstraction of without routine 5 is exciting - we could move between the two ideas - so outline to put the shapes into the viewer's heads in the first instance, with the more abstracted scenes following later?
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